Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Den glada satyren och hans familj – Giovanni Battista Tiepolo
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Tillverkad på beställning
Beskrivning
En fin etsning ur Scherzi di Fantasia-serien av Giovanni Battista Tiepolo, föreställande en mytologisk satyrfamilj i en rustik, klassisk miljö.
Denna etsning tillhör Scherzi di Fantasia, en serie tryck som Giovanni Battista Tiepolo producerade under 1740-talet. Till skillnad från hans storskaliga freskomålningar för kyrkor och palats, tillät dessa verk konstnären att utforska personliga, gåtfulla teman. Kompositionen visar en satyrfamilj som vilar i en rustik miljö, tillsammans med en uggla som sitter på en hög stav. Scenen är fylld med klassiska motiv, inklusive ett stenaltare prytt med en relief av ett ansikte, vilket ger en arkeologisk nyfikenhet till det mytologiska ämnet.
Tiepolo använder en lätt, luftig etsningsteknik, med fina linjer för att definiera figurerna och den omgivande vegetationen. Satyren, sittande på marken med ett horn, visar den avslappnade hållning som kännetecknar konstnärens inställning till dessa arkadiska ämnen. Den kvinnliga satyren och deras barn är placerade nära altaret, vilket skapar en balanserad arrangemang som drar ögat över ramen. Inkluderandet av ugglan, ofta associerad med visdom eller nattlig mystik, introducerar ett element av tvetydighet som är vanligt i Scherzi-serien. Verket demonstrerar konstnärens tekniska behärskning av etsningsnålen, där han uppnår tonala variationer genom tätheten av skraffering snarare än tung skuggning. Detta tryck ger en inblick i den venetianske mästarens fantasifulla värld, vilket återspeglar den lekfulla men sofistikerade andan från mitten av 1700-talet.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Den glada satyren och hans familj – Giovanni Battista Tiepolo
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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