Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Execution of Lady Jane Grey - Paul Delaroche
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
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Beskrivning
A dramatic historical scene depicting the final moments of Lady Jane Grey, rendered with the technical precision of the French Academic school.
Paul Delaroche completed this large-scale oil painting in 1833. It depicts the final moments of Lady Jane Grey, the so-called Nine Days Queen, before her beheading in the Tower of London in 1554. The composition focuses on the central figure of Jane, who is blindfolded and guided by a priest toward the execution block. Her white dress provides a stark visual contrast against the dark, sombre interior of the tower. To the left, two attendants are overcome with grief, one collapsing in despair. To the right, the executioner stands in a waiting posture, holding an axe. The straw on the floor serves as a grim reminder of the impending act.
Delaroche was a leading figure of the French Academic school, known for his ability to render historical narratives with theatrical precision. He prioritised emotional clarity and technical finish over the more expressive brushwork of his Romantic contemporaries. The lighting is carefully managed to direct the viewer's eye to the pale, vulnerable form of Jane, while the surrounding figures remain partially obscured by shadow. The painting was long considered lost after the 1928 Thames flood, but it was rediscovered in 1973 and subsequently restored. It remains one of the most recognisable examples of nineteenth-century historical drama, capturing a specific moment of political tragedy with meticulous attention to costume, texture, and human expression. The work demonstrates the artist's skill in balancing historical accuracy with a staged, almost cinematic quality that was popular in the salons of the period.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
The Execution of Lady Jane Grey - Paul Delaroche
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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