Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Olivolja - Jean-Michel Basquiat
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
"Olive Oil", ett representativt exempel på Jean-Michel Basquiats råa, gesturala stil, kännetecknas av ett tätt lager av text, symboler och diagram, vilket återspeglar konstnärens ström av medvetande i skapandet av konst.
Jean-Michel Basquiat (1960-1988) var en amerikansk konstnär med haitiskt och puertoricanskt ursprung. Basquiat blev först känd som en del av graffitiduon SAMO©, som sprayade kryptiska epigram i Manhattans kulturella centrum. På 1980-talet ställde han ut internationellt och samarbetade med Andy Warhol. Basquiats verk innehåller ofta ord, bokstäver och piktogram; det utforskar teman som ras, klass och identitet. Hans konst kännetecknas av en rå, gestural stil, som kombinerar graffiti med inslag av teckning och måleri. Basquiat dog av en heroinöverdos vid 27 års ålder. Hans verk är fortfarande mycket inflytelserikt och ställs ut över hela världen. "Olive Oil" är ett representativt exempel på Basquiats stil. Verket har ett tätt lager av text, symboler och diagram. Ord och fraser är klottrade över ytan, ofta överstrukna eller dolda. Kompositionen är kaotisk, med linjer och pilar som förbinder olika element. Färgpaletten är begränsad, med svart, rött och vitt som dominerar kompositionen. Den övergripande effekten är en känsla av brådska och omedelbarhet, vilket återspeglar konstnärens ström av medvetande i konstskapandet.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Olivolja - Jean-Michel Basquiat
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Michel Basquiat
Basquiat was painting on the streets of lower Manhattan before he was twenty. He started as one half of SAMO, a graffiti duo with Al Diaz that tagged cryptic, sardonic phrases across downtown New York: 'SAMO as an end to mindwash religion, nowhere politics and bogus philosophy.' When the partnership ended, he wrote 'SAMO IS DEAD' on the walls and moved on.
He had no formal art training. He dropped out of school at seventeen and slept on park benches and friends' floors. He sold hand-painted postcards and t-shirts. He gate-crashed a restaurant where the critic Henry Geldzahler was eating with Andy Warhol and handed them a postcard. Warhol bought one. The art world opened.
By twenty-one he was showing in galleries. By twenty-two he was the youngest artist ever invited to Documenta in Kassel. The paintings are dense, layered, furious: text fragments, anatomical drawings, crown symbols, crossed-out words, references to Black history, jazz, boxing, anatomy textbooks, and street signage. They look unplanned but they are not. The crossed-out words are deliberate. He wanted you to read them, then register the erasure.
He and Warhol collaborated on a series of paintings in 1984 and 1985. The relationship was complicated by the art market's tendency to treat Basquiat as Warhol's protege rather than his peer, and by the fact that Warhol, older and more established, got better reviews for the joint work. Basquiat pulled away.
He died of a heroin overdose in 1988, at twenty-seven. His paintings now sell for over 100 million dollars. He would have found that both satisfying and absurd.
He had no formal art training. He dropped out of school at seventeen and slept on park benches and friends' floors. He sold hand-painted postcards and t-shirts. He gate-crashed a restaurant where the critic Henry Geldzahler was eating with Andy Warhol and handed them a postcard. Warhol bought one. The art world opened.
By twenty-one he was showing in galleries. By twenty-two he was the youngest artist ever invited to Documenta in Kassel. The paintings are dense, layered, furious: text fragments, anatomical drawings, crown symbols, crossed-out words, references to Black history, jazz, boxing, anatomy textbooks, and street signage. They look unplanned but they are not. The crossed-out words are deliberate. He wanted you to read them, then register the erasure.
He and Warhol collaborated on a series of paintings in 1984 and 1985. The relationship was complicated by the art market's tendency to treat Basquiat as Warhol's protege rather than his peer, and by the fact that Warhol, older and more established, got better reviews for the joint work. Basquiat pulled away.
He died of a heroin overdose in 1988, at twenty-seven. His paintings now sell for over 100 million dollars. He would have found that both satisfying and absurd.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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