Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Marquis de Pastoret - Paul Delaroche
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
A formal portrait of the Marquis de Pastoret by Paul Delaroche, capturing the subject in his official robes with a contemplative expression.
This portrait depicts Amédée-David, Marquis de Pastoret, a French politician and jurist. Painted by Paul Delaroche in 1829, the work captures the subject in his official robes, seated in a relaxed yet authoritative posture. Delaroche, a leading figure of the French Academic school, demonstrates his technical precision through the rendering of the heavy, textured fabrics of the robes and the subtle play of light across the Marquis's face.
The composition is restrained, focusing on the psychological presence of the sitter. The Marquis rests his hand against his cheek, a gesture that introduces a sense of contemplation and human vulnerability to an otherwise formal state portrait. The deep red and black tones of the clothing dominate the canvas, set against a muted, monochromatic background that prevents distraction from the subject. Delaroche avoids excessive ornamentation, choosing instead to focus on the interplay of shadow and form to define the figure.
Delaroche was known for his ability to balance historical accuracy with a clear, legible narrative style. This portrait reflects the transition in French art during the early nineteenth century, moving away from the rigid constraints of Neoclassicism toward a more nuanced, realistic approach to portraiture. The work remains a clear example of the artist's skill in capturing the dignity of his subjects without resorting to idealisation. The application of paint is smooth, characteristic of the finish expected in the French Academy at the time, ensuring that the focus remains on the character and status of the Marquis. This fine art print preserves the tonal depth and the specific textures of the original oil painting, offering a clear view of Delaroche's approach to light and shadow.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Marquis de Pastoret - Paul Delaroche
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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