Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Landskap med herde, nära Villa Madama, Rom – Roger Fry
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
En pastoral scen av den brittiske konstnären Roger Fry, "Landscape with Shepherd, near Villa Madama, Rome" fångar ljuset och atmosfären på den romerska landsbygden i en postimpressionistisk stil.
Roger Fry (1866–1934) var en brittisk konstnär och kritiker, inflytelserik som promotor av modern konst. Han var medlem i Bloomsburygruppen och är känd för att ha introducerat postimpressionismen i Storbritannien. Frys konstnärliga produktion inkluderade målningar, teckningar och design, ofta präglade av ett intresse för form och färg. Hans teoretiska skrifter och utställningar hade en betydande inverkan på mottagandet av modern konst i England. "Landscape with Shepherd, near Villa Madama, Rome" exemplifierar Frys postimpressionistiska stil. Målningen skildrar en pastoral scen med en herde och en hjord nära en vattenförekomst, möjligen floden Tibern. Villa Madama, en renässansvilla, syns i bakgrunden. Kompositionen använder en dämpad palett av grönt, brunt och blått, vilket skapar en lugn atmosfär. Frys penseldrag är lösa och uttrycksfulla och fångar ljuset och atmosfären på den romerska landsbygden. Scenen är återgiven med fokus på samspelet mellan ljus och skugga, typiskt för postimpressionistiska tekniker.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Landskap med herde, nära Villa Madama, Rom – Roger Fry
Ordinarie pris
Från £37.00 GBP
Reapris
Från £37.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
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