A detailed seventeenth-century engraving by Pieter Clouet, depicting the solemn passing of Saint Anthony the Great after a composition by Peter Paul Rubens.

This engraving by Pieter Clouet depicts the final moments of Saint Anthony the Great, a subject derived from a composition by Peter Paul Rubens. The scene captures the solemnity of the saint's passing, surrounded by his monastic followers. Clouet, a skilled Flemish engraver, employs precise hatching and cross-hatching techniques to render the textures of the monks' heavy habits, the aged skin of the saint, and the soft light illuminating the interior space.

The composition is structured around the central figure of the dying saint, whose frail form contrasts with the robust, kneeling figures of the monks. The use of light and shadow creates a sense of volume and physical presence, typical of the Baroque period. The inclusion of a crozier and a basin with an aspergillum adds liturgical detail to the narrative. The Latin inscription at the base provides context regarding the saint's life and his departure from the world, a common feature in seventeenth-century print culture that served to educate the viewer on the subject matter.

Clouet's work demonstrates the technical mastery required to translate the painterly qualities of Rubens into the medium of engraving. The lines are controlled and deliberate, defining the contours of the figures and the architectural elements of the room. This print offers a window into the devotional art of the era, where the focus remains on the emotional and spiritual gravity of the event. The arrangement of the figures creates a closed, intimate circle, drawing the viewer into the quiet atmosphere of the deathbed scene. Through his meticulous attention to detail, Clouet preserves the dramatic tension inherent in the original design while adapting it to the monochromatic constraints of the printed page.