He rejected the refined academic style of the Southern Song. Instead, he looked back to the Tang and Northern Song periods for inspiration. He introduced a calligraphic approach to painting. This method used the brushwork of writing to depict subjects like bamboo and rocks. In works such as Twin Pines, Level Distance, he prioritised personal expression over literal representation. His technique changed the way artists used ink on paper.

The minimalist aesthetic of his ink washes fits well in contemporary interiors. His focus on the quiet contemplation of nature provides a sense of calm. Pieces like River Village: Fisherman's Joy offer a window into a world of solitude. Collectors appreciate the historical weight of his work and the clarity of his compositions. These prints bring a sense of balance to a room. They are not merely decorative.