His style is defined by small objects placed in vast, dark spaces. He often depicted cherries or a single walnut. By using the mezzotint method, he achieved soft edges and subtle shifts in tone. The objects seem to emerge from a deep, velvety blackness. This technique creates a quiet atmosphere where the focus remains entirely on the subject. His work avoids unnecessary detail and relies on the physical properties of ink and paper.

Collectors today appreciate the stillness found in his prints. The minimalist compositions suit modern rooms that value clean lines and calm subjects. His work provides a sense of order and focus. "Nineteen Cherries and One" is a clear example of how he turned a simple fruit into a study of light and balance. These prints offer an understated style for those who prefer subtle art.