Viti maintained a preference for the calm aesthetic of the late fifteenth century. His work avoids the aggressive movement seen in later Roman art. He focused on clear outlines and a soft palette of primary colours. His figures often appear in moments of quiet contemplation. This stillness is a hallmark of the Umbro-Marchigian school. He prioritised harmony over drama, creating altarpieces that felt approachable and human.

For the modern buyer, Viti represents the serene side of the Italian Renaissance. His compositions lack the visual noise of later periods. They offer a sense of stability and historical weight. The clean lines and balanced proportions make his work easy to place in various rooms. Collectors appreciate the historical link to Raphael and the genuine craftsmanship of the Urbino court.