A student of Jacques-Louis David, Bergeret balanced Neoclassical discipline with the emerging Troubadour style. He often reconstructed historical scenes with a focus on anecdotal detail. His version of The Battle of Anghiari shows his skill in interpreting Leonardo da Vinci for a new generation. He also designed the reliefs for the Vendôme Column. This work demonstrates his ability to translate military history into static, sculptural forms.

Collectors today value Bergeret for his versatility. His portfolio includes both solemn religious scenes and humorous caricatures like his studies of the Incroyables. These prints offer a window into the social shifts of post-revolutionary France. His work provides a balance of formal composition and historical curiosity. It suits interiors that favour classical themes with a sense of wit.