His approach relied on the clarity of the burin. He created depth through careful hatching rather than tonal washes. This method produced images with a sharp, graphic quality. Many of his prints appeared as frontispieces for academic texts. He captured the likeness of his subjects with a sense of sobriety and restraint. By avoiding excessive ornamentation, he ensured the personality and status of the sitter remained the primary subject of the composition.

Modern collectors appreciate the crisp geometry of these eighteenth-century engravings. The monochrome palette of his prints allows them to sit comfortably alongside modern furniture. These works offer a sense of historical continuity without appearing overly ornate. They provide a window into the intellectual life of the Netherlands through a disciplined, technical lens. His prints are ideal for those who value the clear lines of classical portraiture.