His artistic approach relied on a firm understanding of classical proportion. Flötner was among the first German artists to adopt the motifs of the Italian Renaissance, such as arabesques and grotteschi. His woodcuts often depict mythological scenes from Ovid or allegorical figures placed within structured frames. These works are characterised by clear outlines and a lack of unnecessary clutter. He worked alongside the Little Masters, yet his output remained focused on the intersection of fine art and functional design.

Modern collectors value Flötner for the graphic clarity of his compositions. His prints possess an architectural quality that complements contemporary spaces. Because he designed for craftsmen and builders, his work has a structural integrity that differs from purely decorative art. These woodcuts offer a window into the intellectual world of the sixteenth century. The balance of classical mythology and precise geometry makes his work a sophisticated choice for a gallery wall.