His work combines Northern precision with the dramatic flair of late Renaissance Italy. In compositions like Loflied van Koning David en de heilige Cecilia, he uses elongated figures and complex arrangements of space. He often focused on mythological or religious themes that allowed for theatrical movement. His transition from fresco painting to altarpieces and large-scale decorative cycles allowed him to adapt his style to various formats.

Modern collectors find interest in his work because it represents a bridge between different European traditions. His prints offer a window into the sophisticated courts of the sixteenth century. The clear lines and structured compositions provide a sense of historical weight without feeling overly ornate. These works suit rooms that require a sense of formal history and classic draughtsmanship.