His artistic approach focused on the integration of Italian techniques into Northern traditions. He moved away from the stiff style of earlier Dutch painters. Instead, he used the bright colours and soft light he encountered in Venice. He often employed a grid system to transfer his compositions to large panels. This ensured that his figures remained anatomically correct. He frequently signed his work as a lover of the art of painting to distinguish himself from guild craftsmen.

His work appeals to contemporary collectors because of its historical accuracy and its human element. His group portraits of pilgrims capture individual expressions and a sense of shared purpose. These images feel immediate and honest. His depictions of the Mediterranean provide a factual record of sixteenth-century travel. The combination of technical skill and international influence makes his prints a distinctive choice for modern interiors. His work documents the transition between Gothic traditions and the Renaissance.