His artistic approach relies on building voluminous, sculptural shapes on a flat surface. In the Alice in Wonderland series and Factory-dithyrambic, objects appear to have physical weight. He frequently uses motifs like helmets or trunks to anchor his compositions. These elements are not meant to be mere symbols. They are painterly inventions that occupy space. His work on Gedichte und Lithographien demonstrates how he integrates poetry with visual signs. He avoids the thin washes of traditional watercolour in favour of dense, structural marks.

Modern collectors are drawn to the architectural quality of his prints. Pieces such as Lower Rhenish or Untitled (Style) provide a strong visual anchor for a room. The work sits between the traditions of the old masters and the raw energy of German Neo-Expressionism. His use of a restrained colour palette makes these prints versatile for interior design. They offer a sense of permanence and gravity. Each print captures the deliberate gestures of an artist who views painting as a monumental act.