His artistic process involves a systematic categorisation of terms. He often uses four-letter words such as soil and seed to create a rhythmic pattern across the page. This creates a visual texture that resembles a map or a technical diagram. His drawings move between strict order and loose, gestural marks made with ink. This contrast between the mechanical grid and the hand-drawn line defines his output. He explores how the eye reads a page when the information is non-linear.

Modern collectors value the minimalist clarity of his compositions. The neutral colour palette and structured layouts allow these prints to fit into various interior styles. They offer a quiet, intellectual presence in a room without overwhelming the space. Because the work relies on geometry and typography, it remains relevant to contemporary design sensibilities. These prints work well in office spaces or living areas where a sense of order is desired.