Fyt trained under Frans Snyders but moved away from his mentor's decorative style. He developed a method that emphasised the physical feel of fur and feathers. He used varied brushwork to create a sense of volume. His depictions of greyhounds and game birds appear lifelike. He often used muted colour and dark backgrounds to make the forms feel immediate. This approach gave his work a sense of weight and presence.

Modern collectors appreciate Fyt for his objective and detailed observations. Works like A Basket and Birds or Two Greyhounds are quiet studies of the natural world. They lack the aggressive drama found in other Baroque art. These prints work well in rooms that value a classic aesthetic. They offer a connection to the history of naturalism and look effective in both traditional and contemporary settings.