Her work focuses on the physics of light and space. She utilised layers of semi-transparent materials to create actual depth rather than just the illusion of it. In pieces like White Lines, she uses geometric precision to explore how light interacts with different surfaces. Her method involves a strict mathematical logic. She avoided emotional brushwork in favour of clean, machine-like execution.

Modern collectors value her work for its architectural clarity and neutral palette. Her compositions fit well in contemporary interiors that prioritise structure and light. The use of geometric forms provides a sense of order. Because she worked at the intersection of technology and art, her prints remain relevant in a world where digital precision is common.