Gujarati School
The Gujarati School has roots that extend back to the Mauryan Empire. While many associate the style with the medieval period, Emperor Ashoka’s grandson, Samprati, established a Jain presence in Western India during the third century BCE. This long religious history provided the foundation for the manuscript traditions that appeared centuries later. By the 15th century, the region became a major centre for manuscript production under the patronage of ministers like Vastupala and Tejpala.
Biography
Artists of this school moved from palm leaf to paper around the late 14th century. They used opaque watercolour and ink for their illustrations. They often applied gold to sacred texts such as the Kalpasutra and the Uttaradhyayana Sutra. The work is defined by sharp outlines and a specific palette. Painters depicted complex subjects like the fourteen jewels of a Chakravartin and the Panchajanya conch. Compositions are flat and prioritize narrative clarity.
These paintings appeal to modern collectors because of their bold graphic quality. The use of gold leaf and mineral pigments creates a striking visual effect. Each folio tells a specific story, such as the life of Mahavira or the appearance of celestial musicians. These prints offer a direct connection to the medieval merchant culture of Patan and Ahmedabad. They function as historical documents and decorative objects.
Notable Works
Tap to view larger.
Next stop
Browse the movements →
Every movement in the collection, from the Renaissance to Pop art.
Frequently Asked Questions
What is Gujarati School known for?
Gujarati School is known for the Gujarati School represents the medieval manuscript tradition of Western India, known for its use of gold and opaque watercolour in Jain sacred texts.