His style is defined by a focus on the human figure and genre scenes. In works such as Zittende jongen and Naaktstudie van jongen met touw, he displays a careful attention to physical form. He often depicted local life, as seen in Dorpskermis met twee kwakzalvers and Goochelaar onder een parasol. His etchings use strong contrasts and clear outlines. His compositions remain distinct through their structured quality.

Modern collectors appreciate these prints for their connection to the Rembrandt circle. The drawings, including Staand mannelijk naakt met stok, possess a formal quality that suits minimalist or traditional interiors. His depictions of daily life, such as Vrouw met kind en een bedelaar, offer a quiet observation of the past. These drawings are valued for their historical accuracy and their place within the tradition of Dutch draughtsmanship.