His work often focuses on classical narratives and domestic scenes. In pieces such as The Bath of Leda and Susanna at her Bath, he prioritises clarity and balanced composition. He moved away from the ornamentation of the earlier Rococo style. Instead, he favoured a restrained Neoclassical elegance that gave his subjects a sense of quiet dignity. His ability to capture delicate textures, from the fur in Little Girl with a Dog to the fabrics in Bedtime, distinguishes his prints from clinical technical exercises.

Modern collectors appreciate the technical precision and calm atmosphere of these works. The prints offer a window into the refined tastes of the late eighteenth century. Because his technique avoids harsh contrasts, the images suit contemporary interiors that require a sense of balance. Works like Watch Out or his religious compositions provide a sophisticated alternative to more aggressive modern art. They remain examples of a period when technical skill and narrative grace were in alignment.