His style is defined by the Neo-Figurative movement. He used distorted anatomy and flattened perspectives to create a sense of mystery. In Untitled (Mythological Figures), he uses a palette of ochre and terracotta. His figures often appear in states of transformation or ritual. He avoided bright colours in favour of a restrained, earthy range that suggests the texture of stone or ancient pottery. This approach gives his work a physical, tactile quality that evokes the feeling of a rediscovered relic.

Modern collectors value the intellectual quality of his work. His prints provide a sense of history without appearing dated. The clean lines and structural balance of his compositions suit minimalist or modern rooms. His work offers a quiet strength that complements a well-curated home. These prints work well in offices or living areas where a sophisticated atmosphere is desired.