Samling
Caspar Netscher
Utforska utvalda konsttryck för unika hem och medvetna inredningar.
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Tiden beskär Amors vingar - Caspar Netscher
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Porträtt av en herre - Caspar Netscher
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Hieronymus van Beverningk tas emot i audiens av Maria Anna av Österrike, 2 mars 1671 – Caspar Netscher
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Theodoor Netscher (1661-1728), konstnärens äldste son – Caspar Netscher
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Margaretha Godin, konstnärens hustru - Caspar Netscher
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Porträtt av en man, troligen medlem av familjen van Citters - Caspar Netscher
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Porträtt av en kvinna, möjligen medlem av familjen Van Citters - Caspar Netscher
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Helena Catharina de Witte (1661–95), gift med Iman Mogge, friherre av Haamstede – Caspar Netscher
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Porträtt av Vilhelm III, prins av Oranien och ståthållare - Caspar Netscher
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Interiör med mor som kammar sitt barns hår, även känd som "Maternal Care" – Caspar Netscher
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Cornelis Backer (1633–81), rådman, schepen och överste för borgargardet i Amsterdam – Caspar Netscher
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Porträtt av Philippina Staunton, hustru till Roelof van Arkel - Caspar Netscher
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Porträtt av Maria Stuart, gemål till prins Vilhelm III - Caspar Netscher
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Porträtt av en man - Caspar Netscher
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En dotter och son till målaren - Caspar Netscher
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Jacoba Bicker (1640-95), hustru till Pieter de Graeff - Caspar Netscher
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Pieter de Graeff (1638–1707), herre till Zuid-Polsbroek, Purmerland och Ilpendam. Rådman i Amsterdam – Caspar Netscher
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Porträtt av Constantijn Huygens (1596-1687) - Caspar Netscher
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Vilhelm III (1650-1702), prins av Oranien och kung av England - Caspar Netscher
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Artist Biography
Caspar Netscher
Netscher set out for Italy and got no further than Bordeaux. He had letters of introduction, a plan to complete his artistic education in Rome, and a ship booked. In Bordeaux he fell in love with Margaretha Godyn, married her in 1659, and never continued the journey. The rest of his career happened in The Hague.
He was born around 1639, probably in Heidelberg or Prague. His father, a sculptor from Stuttgart, died when Caspar was two. During the siege of Heidelberg his mother fled with four children; two older brothers died of hunger. He was placed with the painter Hendrick Coster in Arnhem, then became a student of Gerard ter Borch in Deventer. Ter Borch was the most important influence on his work; Netscher appears as a model in several of Ter Borch's paintings.
His portraits and genre scenes of The Hague's fashionable society were painted with a precision that earned comparisons to Vermeer. He rendered fabrics, lace and reflected light with miniaturist exactitude. Cosimo III de' Medici bought his work. He kept drawings of finished paintings as records (ricordi), noting prices, patron names and colour choices.
He was plagued by gout but remained productive, sometimes painting from bed. Two of his sons, Constantyn and Theodorus, became painters in his style. A third, Anthonie, emigrated to Batavia. He died in The Hague in 1684, at about forty-five.
He was born around 1639, probably in Heidelberg or Prague. His father, a sculptor from Stuttgart, died when Caspar was two. During the siege of Heidelberg his mother fled with four children; two older brothers died of hunger. He was placed with the painter Hendrick Coster in Arnhem, then became a student of Gerard ter Borch in Deventer. Ter Borch was the most important influence on his work; Netscher appears as a model in several of Ter Borch's paintings.
His portraits and genre scenes of The Hague's fashionable society were painted with a precision that earned comparisons to Vermeer. He rendered fabrics, lace and reflected light with miniaturist exactitude. Cosimo III de' Medici bought his work. He kept drawings of finished paintings as records (ricordi), noting prices, patron names and colour choices.
He was plagued by gout but remained productive, sometimes painting from bed. Two of his sons, Constantyn and Theodorus, became painters in his style. A third, Anthonie, emigrated to Batavia. He died in The Hague in 1684, at about forty-five.
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