Samling
Alfred Sisley
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Saint-Mammès - Alfred Sisley
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Path near the Parc de Courances - Alfred Sisley
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The Moret Bridge at Sunset - Alfred Sisley
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Sahurs Meadows in Morning Sun - Alfred Sisley
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The Road from Moret to Saint-Mammès - Alfred Sisley
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The Road from Versailles to Louveciennes - Alfred Sisley
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Meadow - Alfred Sisley
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Haystack - Alfred Sisley
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Bank, in the autumn - Alfred Sisley
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The Footbridge at Argenteuil - Alfred Sisley
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Regatta at Molesey - Alfred Sisley
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A February Morning at Moret-sur-Loing - Alfred Sisley
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Snowy Weather at Veneux-Nadon - Alfred Sisley
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The Seine at Bougival - Alfred Sisley
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Sentier de la Mi-Côte, Louveciennes - Alfred Sisley
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The Watering Place at Marly-le-Roi, Hoarfrost - Alfred Sisley
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Sunset at Moret - Alfred Sisley
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Sablons in Spring - Alfred Sisley
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Idle Barges on the Loing Canal at Saint-Mammes - Alfred Sisley
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Edge of Fontainebleau Forest, June Morning - Alfred Sisley
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The Path from Saint Mammes, Morning - Alfred Sisley
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Rider at the Edge of the Forest - Alfred Sisley
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View of Marly-le-Roi from the House at Coeur-Volant - Alfred Sisley
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Avenue of Chestnut Trees near La Celle Saint Cloud - Alfred Sisley
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Artist Biography
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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