Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Clarinet Valse - Georges Braque
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A classic example of Synthetic Cubism, this 1913 work by Georges Braque uses muted tones and fragmented forms to explore the relationship between music and visual structure.
The Clarinet Valse, painted by Georges Braque in 1913, is a representative example of Synthetic Cubism. During this period, Braque and his contemporary Pablo Picasso moved away from the fragmented, monochromatic analysis of the earlier Analytic phase. Instead, they began to incorporate collage elements, stencilled lettering, and a more decorative approach to the picture plane. This work features an oval format, which was a common choice for Braque at the time, as it allowed him to avoid the traditional corners of a rectangular canvas that often implied a conventional window into space.
The composition is built upon a series of overlapping planes and geometric shapes that suggest the presence of a musical instrument, specifically a clarinet, alongside a sheet of music. The inclusion of the word fragment 'ALSE' provides a direct reference to the title, Valse, while simultaneously serving as a graphic element that anchors the viewer to the surface of the canvas. Braque employs a muted palette of ochres, browns, and greys, which focuses the viewer's attention on the structural arrangement of the objects rather than their naturalistic appearance.
By flattening the pictorial space, Braque forces the eye to navigate the work as a series of signs and symbols. The textures are varied, with some areas appearing smooth and others showing the grain of wood, a technique Braque often used to introduce a tactile quality to his paintings. This piece demonstrates the artist's interest in the relationship between music and visual art, a theme he returned to throughout his career. The work remains a study in how everyday objects can be deconstructed and reassembled to create a new visual language, one that prioritises the autonomy of the painting over the imitation of reality.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
The Clarinet Valse - Georges Braque
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Georges Braque
Braque and Picasso invented Cubism together, and Braque got less credit. He was quieter, less theatrical, less inclined to promote himself. He said they were 'like mountaineers roped together.' Picasso got the mountain named after him.
He grew up in Argenteuil and Le Havre, the son and grandson of house painters. He apprenticed as a decorative painter, learning to imitate wood grain and marble, techniques he later used in his Cubist papiers colles. He studied at the Ecole des Beaux-Arts in Paris and exhibited with the Fauves in 1906, painting bright, loose landscapes influenced by Matisse.
Everything changed when he saw Picasso's Les Demoiselles d'Avignon in 1907. He went to L'Estaque that summer and painted landscapes that broke the scenery into geometric facets, which is what a critic called 'cubes.' The name stuck. Between 1908 and 1914 he and Picasso worked so closely that their paintings from this period are sometimes difficult to tell apart. They showed each other everything. They finished each other's ideas.
The war separated them. Braque was severely wounded at Carency in 1915: a head injury that left him temporarily blind and required trepanning. He did not paint for over a year. When he returned to work, the collaboration with Picasso was over. They remained on good terms but never worked together again.
His post-war paintings are quieter, more resolved, less competitive. The Studio series, large paintings of the interior of his Normandy studio with birds flying through the space, occupied him through the 1950s. He died in 1963, at eighty-one. Picasso outlived him by ten years.
He grew up in Argenteuil and Le Havre, the son and grandson of house painters. He apprenticed as a decorative painter, learning to imitate wood grain and marble, techniques he later used in his Cubist papiers colles. He studied at the Ecole des Beaux-Arts in Paris and exhibited with the Fauves in 1906, painting bright, loose landscapes influenced by Matisse.
Everything changed when he saw Picasso's Les Demoiselles d'Avignon in 1907. He went to L'Estaque that summer and painted landscapes that broke the scenery into geometric facets, which is what a critic called 'cubes.' The name stuck. Between 1908 and 1914 he and Picasso worked so closely that their paintings from this period are sometimes difficult to tell apart. They showed each other everything. They finished each other's ideas.
The war separated them. Braque was severely wounded at Carency in 1915: a head injury that left him temporarily blind and required trepanning. He did not paint for over a year. When he returned to work, the collaboration with Picasso was over. They remained on good terms but never worked together again.
His post-war paintings are quieter, more resolved, less competitive. The Studio series, large paintings of the interior of his Normandy studio with birds flying through the space, occupied him through the 1950s. He died in 1963, at eighty-one. Picasso outlived him by ten years.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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