Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Portrait du comte James-Alexandre de Pourtalès-Gorgier - Paul Delaroche
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£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
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Beschrijving
A refined portrait of the banker and collector Comte James-Alexandre de Pourtalès-Gorgier by the French Academic painter Paul Delaroche.
Paul Delaroche, a central figure in the French Academic tradition, painted this portrait of the Comte James-Alexandre de Pourtalès-Gorgier around 1840. The sitter, a prominent banker and collector of antiquities, is depicted with a level of psychological gravity characteristic of Delaroche's portraiture. The composition places the Count in a domestic setting, surrounded by objects from his personal collection, which serves to define his identity as a man of culture and refined taste.
Delaroche employs a restrained palette, dominated by dark tones that draw the viewer's focus to the sitter's face and hands. The lighting is controlled, creating a sense of volume and texture in the fabric of his coat and the surrounding sculptural elements. The inclusion of classical busts and decorative objects in the background provides context for the Count's life, reflecting his interests in history and art. The brushwork is precise, demonstrating the artist's technical discipline and his ability to render fine details without sacrificing the overall unity of the image.
This work reflects the mid-nineteenth-century preference for portraiture that combined realistic representation with a subtle narrative quality. Delaroche avoids excessive ornamentation, choosing instead to focus on the character of the individual. The Count's expression is composed, suggesting a quiet confidence and intellectual depth. As a fine art print, this piece offers a glimpse into the social and cultural milieu of the period, capturing the persona of a collector whose influence extended across the European art market. The print maintains the tonal balance of the original oil painting, ensuring that the depth and clarity of the composition are preserved for the viewer.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
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- Stof voorzichtig af met een zachte, droge doek
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Portrait du comte James-Alexandre de Pourtalès-Gorgier - Paul Delaroche
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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