Moon Woman - Jackson Pollock
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Beschrijving
A 1942 work by Jackson Pollock, Moon Woman captures the artist's early engagement with Surrealism, mythic symbolism, and the subconscious mind.
Moon Woman, painted in 1942, represents a period in Jackson Pollock's career when his work was heavily influenced by Surrealism and the psychological theories of Carl Jung. During this time, Pollock explored the use of mythic imagery and archetypal symbols, moving away from the regionalist styles that dominated American art in the preceding decade. The composition features a central, elongated figure that appears to emerge from a chaotic, layered background. The palette is dominated by intense reds, blacks, and pale blues, creating a sense of urgency and psychological tension.
Pollock employs a complex layering of paint, where thick, dark outlines define the figure against a field of agitated brushwork. To the left of the main subject, a vertical column of smaller, glyph-like symbols suggests a narrative or ritualistic context, reminiscent of indigenous art forms that fascinated many artists of the period. The figure itself is fragmented, with limbs and facial features distorted to convey an internal state rather than a literal representation. This work precedes the artist's famous drip paintings, yet it contains the seeds of his later style: the rejection of traditional perspective, the emphasis on the physical act of painting, and the focus on the subconscious mind. The painting reflects the artist's engagement with the collective unconscious, a theme that occupied much of his creative output during the early 1940s. By blending figurative elements with abstract mark-making, Pollock creates a visual language that feels both ancient and modern, inviting the viewer to interpret the symbolic weight of the forms without relying on a singular, fixed meaning.
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Moon Woman - Jackson Pollock
Artist Biography
Jackson Pollock
He drank heavily from his teens onwards. He was in and out of psychiatric treatment, tried Jungian analysis, and spent time working for the WPA Federal Art Project during the Depression. The early paintings are dark, tangled, influenced by Picasso and by the Mexican muralists Orozco and Siqueiros, whose experimental techniques (including pouring paint) Pollock encountered in a workshop.
The drip paintings started in 1947. He laid canvas on the floor of his barn in Springs, Long Island, and poured household enamel paint from tins, flicking and dripping it with sticks, trowels, and hardened brushes. He moved around the canvas, working from all four sides. No easel, no brushes touching surface, no predetermined composition. 'I am nature,' he told an interviewer, which sounds grandiose but describes the method accurately: the paintings record physical movement through space.
The drip period lasted roughly four years. By 1951 he had largely stopped, returning to figurative work that nobody wanted. His marriage to the painter Lee Krasner deteriorated alongside the drinking. He died in a car crash in 1956, at forty-four, drunk at the wheel. Krasner spent the next three decades managing his legacy and making her own paintings, which were excellent and consistently overlooked.
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