Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Marquis de Pastoret - Paul Delaroche
Normale prijs
£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
Archivale giclée
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Beschrijving
A formal portrait of the Marquis de Pastoret by Paul Delaroche, capturing the subject in his official robes with a contemplative expression.
This portrait depicts Amédée-David, Marquis de Pastoret, a French politician and jurist. Painted by Paul Delaroche in 1829, the work captures the subject in his official robes, seated in a relaxed yet authoritative posture. Delaroche, a leading figure of the French Academic school, demonstrates his technical precision through the rendering of the heavy, textured fabrics of the robes and the subtle play of light across the Marquis's face.
The composition is restrained, focusing on the psychological presence of the sitter. The Marquis rests his hand against his cheek, a gesture that introduces a sense of contemplation and human vulnerability to an otherwise formal state portrait. The deep red and black tones of the clothing dominate the canvas, set against a muted, monochromatic background that prevents distraction from the subject. Delaroche avoids excessive ornamentation, choosing instead to focus on the interplay of shadow and form to define the figure.
Delaroche was known for his ability to balance historical accuracy with a clear, legible narrative style. This portrait reflects the transition in French art during the early nineteenth century, moving away from the rigid constraints of Neoclassicism toward a more nuanced, realistic approach to portraiture. The work remains a clear example of the artist's skill in capturing the dignity of his subjects without resorting to idealisation. The application of paint is smooth, characteristic of the finish expected in the French Academy at the time, ensuring that the focus remains on the character and status of the Marquis. This fine art print preserves the tonal depth and the specific textures of the original oil painting, offering a clear view of Delaroche's approach to light and shadow.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
Verzorging en materialen
Specifieke kenmerken
Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
Verzorging & reiniging
Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
- Gebruik nooit vloeibare reinigingsmiddelen op het oppervlak van de print of het canvas
- Bewaar in een droge ruimte op kamertemperatuur
- Hanteer prints met schone, droge handen
Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Marquis de Pastoret - Paul Delaroche
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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