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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Kinchinjunga from Darjeeling, Himalayas - Edward Lear
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£37.00 GBP
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£37.00 GBP
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Beschrijving
A detailed watercolour by Edward Lear, capturing the majestic Kinchinjunga mountain range from the perspective of Darjeeling.
Edward Lear, primarily known for his nonsense verse, was also a highly skilled topographical draughtsman. This watercolour depicts the Kinchinjunga mountain range as viewed from Darjeeling. Lear travelled to India in 1873, commissioned by Lord Northbrook, the then Viceroy of India. During this period, he produced a series of large-scale watercolours that captured the scale and atmospheric conditions of the Himalayan region.
The composition employs a classic framing technique. Tall, vertical trees in the foreground guide the viewer's eye towards the distant, snow-capped peaks. The middle ground consists of deep, shadowed valleys, rendered in cooler blue and grey tones to suggest atmospheric perspective. Lear uses a delicate wash technique to build up the texture of the mountains, allowing the white of the paper to represent the snow. The foreground features figures in local attire, providing a sense of scale against the immense geological features.
Lear's approach to this subject is observational rather than purely imaginative. He was meticulous in his recording of light and form, often adding detailed notes to his sketches on-site. This work reflects the Victorian fascination with the geography of the British Empire. The palette is restrained, relying on soft ochres, muted greens, and pale blues to convey the vastness of the mountain air. By balancing the immediate foreground with the distant horizon, Lear creates a sense of depth that remains characteristic of his travel studies. This print captures the specific light quality of the high-altitude environment, offering a view of the Himalayas as seen by a nineteenth-century traveller.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Kinchinjunga from Darjeeling, Himalayas - Edward Lear
Normale prijs
Vanaf £37.00 GBP
Actieprijs
Vanaf £37.00 GBP
Normale prijs
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Edward Lear
By the time Edward Lear was 20, he had completed his scientific illustration volume on parrots for the Zoological Society of London, a project that caught the attention of the 13th Earl of Derby. That commission led to a five-year residency at Knowsley Hall, where Lear drew the Earl's private menagerie and, for the grandchildren of the household, filled notebooks with limericks and comic drawings. A Book of Nonsense was published in 1846; the expanded edition under his own name in 1861 established him as the forefather of the limerick as a literary form.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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