Figures with Sunset - Roy Lichtenstein
Archivale giclée
Lijsten worden klaar voor ophanging geleverd
Veilig afrekenen
Op bestelling gemaakt
Beschrijving
A classic Pop Art composition by Roy Lichtenstein, featuring his signature Ben-Day dots, bold outlines, and a fragmented, graphic aesthetic.
Roy Lichtenstein, a central figure in the American Pop Art movement, created this composition in 1978. The work demonstrates his characteristic use of commercial printing techniques, specifically the application of Ben-Day dots to create tone and texture within a flat, graphic field. By adopting the visual language of comic books and mass-media advertising, Lichtenstein removes the traditional painterly gesture, opting instead for clean lines and primary colours.
The image presents a fragmented narrative. A male figure in a hat and tie appears on the right, while abstract shapes and geometric forms dominate the left and centre. The inclusion of a stylised sun, wood-grain patterns, and mechanical-looking structures suggests a synthesis of disparate visual sources. Lichtenstein often appropriated imagery from various art historical periods, including Surrealism and Cubism, and filtered them through his own distinct aesthetic. Here, the juxtaposition of representational elements with stark, non-representational shapes creates a sense of spatial ambiguity.
This print captures the precision of Lichtenstein's technique. The bold black outlines define each area of colour, preventing the forms from merging and maintaining a clear, legible surface. The use of Ben-Day dots in the shaded areas provides a mechanical contrast to the solid blocks of yellow, blue, and red. This approach reflects the artist's interest in the nature of perception and the way images are constructed for public consumption. The composition avoids traditional perspective, favouring a flattened, decorative arrangement that draws attention to the surface of the canvas itself. It is a clear example of the artist's ability to transform everyday visual cues into a structured, formal arrangement.
Retourbeleid
Omdat elke print op bestelling wordt gemaakt, bieden wij geen retourzendingen, terugbetalingen of ruilingen aan wegens spijt van aankoop. Als uw bestelling defect, beschadigd of onjuist aankomt, vervangen wij deze kosteloos — neem binnen 48 uur na bezorging contact met ons op. Zie onze pagina over terugbetalingen voor alle details.
Verzending
Wij verzenden wereldwijd en printen bij het productiecentrum dat het dichtst bij jouw afleveradres ligt. Levertijden en kosten variëren per bestemming; de beschikbare opties zie je tijdens het afrekenen.
Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
Verzorging en materialen
Specifieke kenmerken
Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
Verzorging & reiniging
Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
- Gebruik nooit vloeibare reinigingsmiddelen op het oppervlak van de print of het canvas
- Bewaar in een droge ruimte op kamertemperatuur
- Hanteer prints met schone, droge handen
Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Figures with Sunset - Roy Lichtenstein
Artist Biography
Roy Lichtenstein
He was not young when this happened. He was thirty-eight, teaching art at Rutgers University, and had spent the previous decade painting Abstract Expressionist canvases that looked like everyone else's. The comic paintings were a deliberate rejection of the idea that art had to show the artist's inner emotional state. They showed Donald Duck instead.
Leo Castelli gave him his first show in 1962. Every painting sold before the exhibition opened. The speed was unusual. Warhol was doing similar things with soup cans and Coca-Cola bottles, but Lichtenstein's method was different: he hand-painted everything to look mechanically reproduced. The Ben-Day dots were applied through a stencil. The lines were drawn with a projector and then painted by hand. The process was laborious and precise, which was the joke: meticulous craftsmanship in the service of something that was supposed to look cheap.
He moved beyond comics into landscapes, brushstrokes (paintings of brushstrokes), Chinese landscapes, interiors, and nudes, all in the same flat, graphic style. The Brushstroke series, where he painted enormous images of painterly brushstrokes in the same deadpan comic-book technique, annoyed Abstract Expressionists specifically and delighted everyone else.
Waarom voor ons kiezen?
Gegarandeerde schadevrije levering
Snelle verzending
Materialen van museumkwaliteit
Dit vindt u misschien ook interessant