Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Civita Castellana - Edward Lear
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A detailed oil painting by Edward Lear depicting the dramatic bridge and gorge at Civita Castellana, Italy, captured in warm, golden light.
Edward Lear, primarily known for his nonsense verse, was a highly skilled topographical draughtsman and painter. During his extensive travels across Italy, he produced numerous studies of the country's rugged terrain and historic architecture. This work depicts the town of Civita Castellana, situated on a volcanic plateau in the Lazio region. The composition focuses on the dramatic bridge that spans the deep gorge, a feature that frequently attracted artists on the Grand Tour.
Lear employs a warm, golden light to bathe the scene, suggesting the late afternoon sun. The foreground is defined by craggy rock faces and dense foliage, which provide a sense of scale against the architectural precision of the bridge. The distant mountains, rendered in softer, atmospheric tones, recede into the horizon. His technique balances the observational rigour of a topographer with the atmospheric sensibilities of the Romantic tradition. The bridge itself, with its rhythmic arches, acts as a structural anchor for the composition, drawing the eye across the chasm towards the town and the fortress beyond.
Unlike his later, more stylised works, this painting demonstrates a clear interest in the physical reality of the Italian countryside. The attention to geological detail and the specific quality of light reflects Lear's dedication to capturing the essence of the Mediterranean environment. The work remains a fine example of the nineteenth-century fascination with the intersection of human engineering and natural formations. By documenting these sites, Lear contributed to the visual record of a region that was undergoing significant change during the period. The print captures the textures of the stone and the depth of the valley, offering a view into the artist's meticulous approach to his craft.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Civita Castellana - Edward Lear
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Edward Lear
By the time Edward Lear was 20, he had completed his scientific illustration volume on parrots for the Zoological Society of London, a project that caught the attention of the 13th Earl of Derby. That commission led to a five-year residency at Knowsley Hall, where Lear drew the Earl's private menagerie and, for the grandchildren of the household, filled notebooks with limericks and comic drawings. A Book of Nonsense was published in 1846; the expanded edition under his own name in 1861 established him as the forefather of the limerick as a literary form.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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