Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Back (Nu de dos) - André Derain
Normale prijs
£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
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Beschrijving
A study of the human form by André Derain, featuring warm, earthy tones and a focus on anatomical structure and light.
André Derain, a central figure in the development of early twentieth-century French art, produced this study of a human back during his post-Fauvist period. By this stage in his career, Derain had moved away from the radical colour experiments of his youth, adopting a more restrained, classical approach to form and volume. The painting focuses on the tactile qualities of the skin and the structural anatomy of the shoulders and spine.
The composition is minimalist, stripping away extraneous detail to focus on the interplay of light and shadow across the subject. The palette is dominated by warm, earthy ochres and deep, atmospheric browns, which create a sense of quietude. Derain uses visible, textured brushwork to model the musculature, giving the figure a physical presence that feels both solid and ephemeral. The dark, indistinct background ensures that the viewer's attention remains fixed on the curvature of the back and the subtle tonal shifts within the flesh tones.
This work reflects the artist's interest in the traditions of European painting, particularly the influence of the Old Masters, which he reinterpreted through a modern lens. The lack of specific narrative or environmental context allows the viewer to engage directly with the formal properties of the image. It is a study in light, texture, and the human form, demonstrating Derain's technical control and his ability to convey weight and volume through paint. The signature in the lower right corner confirms the artist's hand, placing this piece within his broader exploration of the nude during the interwar years.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
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Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
- Gebruik nooit vloeibare reinigingsmiddelen op het oppervlak van de print of het canvas
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Back (Nu de dos) - André Derain
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Andre Derain
Derain and Matisse spent the summer of 1905 painting together at Collioure, on the French Mediterranean coast. The canvases they produced, shown at the Salon d'Automne that autumn, prompted the critic Louis Vauxcelles to call them les Fauves, the wild beasts. A movement was born from one insult. Derain was twenty-five.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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