Collectie
Paul Delaroche
Ontdek gecureerde kunstprints, geselecteerd voor karakteristieke woningen en doordachte interieurs.
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Fra Filippo Lippi wordt verliefd op zijn model - Paul DelarochePrint
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Rustend aan de oevers van de Tiber - Paul DelarochePrint
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Jonge moeder en haar kinderen - Paul DelarochePrint
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Moord op Hendrik I, hertog van Guise - Paul DelarochePrint
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Peter de Grote - Paul DelarochePrint
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De staatsieboot van Kardinaal Richelieu op de Rhône - Paul DelarochePrint
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Moeder en kind - Paul DelarochePrint
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Napoleon in Fontainebleau - Paul DelarochePrint
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Bonaparte steekt de Alpen over - Paul DelarochePrint
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Cromwell voor de doodskist van Karel I - Paul DelarochePrint
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Herodias - Paul DelarochePrint
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Offering aan de god Pan - Paul DelarochePrint
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Busteportret van Napoleon - Paul DelarochePrint
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Vrouwen in een interieur - Paul DelarochePrint
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Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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