Collection
Alfred Sisley
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Moret-sur-Loing, Morning - Alfred Sisley
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Provencher's Mill at Moret - Alfred Sisley
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Snow at Louveciennes - Alfred Sisley
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A Turn in the Road - Alfred Sisley
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November Afternoon - Alfred Sisley
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The Loing at Moret - Alfred Sisley
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Near the Bank of the Seine at By - Alfred Sisley
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Saint-Mammès - Alfred Sisley
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Children Playing in the Fields - Alfred Sisley
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Riverbank at Veneux - Alfred Sisley
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On the Banks of the Loing - Alfred Sisley
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Banks of the Seine - Alfred Sisley
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Apples and Grapes in a Basket - Alfred Sisley
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A Street in Louveciennes - Alfred Sisley
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The Banks of the Loing - Alfred Sisley
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The Roches Courtaut Wood, near By - Alfred Sisley
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The River Bank or Geese - Alfred Sisley
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Saint-Mammès, Loing Canal - Alfred Sisley
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On the Banks of the Loing - Alfred Sisley
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Bords du Loing, près Saint-Mammès - Alfred Sisley
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View of Marly-le-Roi from Coeur-Volant - Alfred Sisley
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The Bridge at Villeneuve-la-Garenne - Alfred Sisley
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Rue Eugène Moussoir at Moret: Winter - Alfred Sisley
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Artist Biography
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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