Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Gantrisch - Ferdinand Hodler
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A 1910 oil painting by Ferdinand Hodler, capturing the rhythmic peaks of the Gantrisch mountains through his signature style of Parallelism.
Ferdinand Hodler, a central figure in Swiss art at the turn of the twentieth century, produced this depiction of the Gantrisch mountain range in 1910. Hodler is recognised for his concept of Parallelism, a method of composition that emphasises symmetry and the repetition of forms to suggest a sense of order within the natural world. In this work, the jagged, rhythmic peaks of the Gantrisch are balanced against the sweeping, undulating slopes of the foreground.
The colour palette is restrained, focusing on earthy ochres, muted greens, and the cool, shadowed blues of the mountain massifs. Hodler applies paint with visible, deliberate strokes, which gives the surface a tactile quality. The composition avoids excessive detail, opting instead for a structural clarity that captures the essence of the Bernese Alps. The sky is rendered in simple, horizontal bands, providing a calm backdrop to the geological drama below.
Unlike his earlier, more rigid figurative works, this painting demonstrates Hodler's mature approach to nature. He does not seek to document the topography with scientific precision. Instead, he interprets the mountain as a monumental presence. The work reflects his interest in the relationship between the individual and the vastness of the alpine environment. By simplifying the forms, Hodler creates a sense of permanence and stillness. This print captures the specific light and texture of the original oil painting, offering a clear view of the artist's brushwork and his unique approach to spatial organisation. It is a representative example of his later career, where he turned his attention increasingly to the mountains of his homeland.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
The Gantrisch - Ferdinand Hodler
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Ferdinand Hodler
Hodler lost his father and two younger brothers to tuberculosis before he was eight. His mother remarried a decorative painter named Gottlieb Schupbach, who had five children of his own. The household grew to thirteen. Young Ferdinand learned to paint by helping his stepfather with sign-work and decorative commissions, which is practical training of the kind that art schools cannot replicate.
He studied under Barthelemy Menn in Geneva, absorbing influences from Courbet and Holbein that seem contradictory but make sense in his work: physical realism combined with formal symmetry. By the 1890s he had developed Parallelism, a system of compositional repetition where figures, gestures and landscape elements mirror each other across the canvas. He described it as an element of order inherent in nature, visible in reflections on water, in the symmetry of the human body, in the repetition of mountain forms.
The Swiss National Bank commissioned him in 1908 to design currency. Rather than portraits of statesmen, he chose a woodcutter for the 50-franc note and a reaper for the 100-franc note. Both entered circulation in 1911. His figures occupy Swiss banknotes the way his figures occupy his paintings: monumental, frontal, and slightly too symmetrical to be comfortable.
His son Hector founded the World Esperanto Association in 1908, which is a detail that belongs in the biography of any artist whose life's work concerned the search for universal order. Hodler was Switzerland's first modern painter, and the one who proved you could stay in Switzerland and still matter. He died in Geneva in 1918, having painted the view of Lake Geneva from his window every day during his final illness. The series of paintings recording the changing light over the lake is among his most moving work.
He studied under Barthelemy Menn in Geneva, absorbing influences from Courbet and Holbein that seem contradictory but make sense in his work: physical realism combined with formal symmetry. By the 1890s he had developed Parallelism, a system of compositional repetition where figures, gestures and landscape elements mirror each other across the canvas. He described it as an element of order inherent in nature, visible in reflections on water, in the symmetry of the human body, in the repetition of mountain forms.
The Swiss National Bank commissioned him in 1908 to design currency. Rather than portraits of statesmen, he chose a woodcutter for the 50-franc note and a reaper for the 100-franc note. Both entered circulation in 1911. His figures occupy Swiss banknotes the way his figures occupy his paintings: monumental, frontal, and slightly too symmetrical to be comfortable.
His son Hector founded the World Esperanto Association in 1908, which is a detail that belongs in the biography of any artist whose life's work concerned the search for universal order. Hodler was Switzerland's first modern painter, and the one who proved you could stay in Switzerland and still matter. He died in Geneva in 1918, having painted the view of Lake Geneva from his window every day during his final illness. The series of paintings recording the changing light over the lake is among his most moving work.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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