Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Saint Veronica - Paul Delaroche
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
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Description
A sombre and technically precise depiction of Saint Veronica by French Academic painter Paul Delaroche, capturing a moment of quiet, spiritual exhaustion.
Paul Delaroche, a leading figure of the French Academic school, produced this work in 1844. The composition depicts Saint Veronica in a state of physical and emotional exhaustion, collapsed upon the stone floor. Beside her hangs the veil, which bears the miraculous image of the face of Christ. Delaroche employs a sombre, muted palette to convey the gravity of the scene. The contrast between the dark, heavy folds of the saint's garments and the luminous, pale fabric of the veil directs the viewer's attention to the relic.
Delaroche was known for his technical precision and his ability to render historical and religious narratives with a high degree of finish. This painting is characteristic of his approach to religious subjects, which often focused on the human experience of spiritual events. The figure of Veronica is rendered with anatomical accuracy, her posture suggesting the weight of her burden. The background remains dark and indistinct, which serves to isolate the figures and heighten the sense of quiet, personal devotion. The lighting is focused, creating a dramatic interplay between shadow and form that is typical of the mid-nineteenth-century French tradition.
This work demonstrates the artist's skill in managing complex textures, from the rough stone floor to the soft, draped cloth of the veil. By choosing to depict the aftermath of the encounter rather than the event itself, Delaroche invites the viewer to contemplate the emotional toll of the narrative. The painting remains a clear example of the Academic style, which prioritised clarity, narrative coherence, and a disciplined application of paint. It is a study in restraint, avoiding excessive ornamentation in favour of a direct, focused representation of the subject matter.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Saint Veronica - Paul Delaroche
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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