Collection
Paul Gauguin
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Buddha - Paul GauguinPrint · Framed
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Parahi te marae (There Is the Temple) - Paul GauguinPrint · Framed · Canvas
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Oviri - Paul GauguinPrint · Framed · Canvas
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Still Life with Apples, a Pear, and a Ceramic Portrait Jug - Paul GauguinPrint
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Poèmes Barbares - Paul GauguinPrint
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A Farm in Brittany - Paul GauguinPrint
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Two Women - Paul GauguinPrint
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Tahitian Landscape - Paul GauguinPrint
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The Siesta - Paul GauguinPrint
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The Large Tree - Paul GauguinPrint
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Maruru (Offerings of Gratitude) - Paul GauguinPrint
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Still Life with Fruit and a Jug - Paul GauguinPrint
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The Call - Paul GauguinPrint
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The Woman with Figs - Paul GauguinPrint
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Title of the Smile - Paul GauguinPrint · Framed
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Mahana Atua (Day of the Gods) - Paul GauguinPrint · Framed
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The Universe Is Created - Paul GauguinPrint · Framed
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Mahna No Varua Ino - Paul GauguinPrint · Framed
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Maruru - Paul GauguinPrint · Framed
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Mata Mua (In Olden Times) - Paul GauguinPrint · Framed
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Te raau rahi (The Big Tree) - Paul GauguinPrint · Framed
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Day of the God (Mahana No Atua) - Paul GauguinPrint · Framed
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The Spirit of the Dead Watches - Paul GauguinPrint · Framed
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Ia Orana Maria (We Hail Thee Mary) - Paul GauguinPrint · Framed
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Artist Biography
Paul Gauguin
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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