Collection
Paul Delaroche
Découvrez une sélection d'affiches d'art choisies pour des demeures de caractère et des intérieurs réfléchis.
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Frère Filippo Lippi tombant amoureux de son modèle - Paul DelarochePrint
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Repos sur les bords du Tibre - Paul DelarochePrint
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Jeune mère et ses enfants - Paul DelarochePrint
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Assassinat du duc de Guise par Paul DelarochePrint
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Pierre le Grand - Paul DelarochePrint
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La Barque du cardinal de Richelieu sur le Rhône - Paul DelarochePrint
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Mère et enfant - Paul DelarochePrint
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Napoléon à Fontainebleau - Paul DelarochePrint
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Bonaparte franchissant les Alpes - Paul DelarochePrint
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Cromwell devant le cercueil de Charles Ier - Paul DelarochePrint
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Hérodiade - Paul DelarochePrint
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Offrande au dieu Pan - Paul DelarochePrint
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Portrait en buste de Napoléon - Paul DelarochePrint
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Femmes dans un intérieur - Paul DelarochePrint
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Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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