Collection
Hannah Borger Overbeck
Explore curated art prints selected for distinctive homes and considered interiors.
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Aster (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Velvet Weed (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Trillium Erectum (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Prairie Rose (ca.1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Dahlias (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Marsh Marigold (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Prairie Rose (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Daisies with Orange Center and Yellow Petals (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Cana (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Yellow Daylily (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Vase with Yellow Flowers (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Touch Me Not (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Delphinium (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Cattail (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Butter and Eggs (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Blood Root (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Beef Begonia (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Amaryllis (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Green Geometric (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Poet's Narcissus (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Sunflowers (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Leaf Cup (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Red Bud (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Iris (1915) - Hannah Borger OverbeckPrint · Framed · Canvas
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Artist Biography
Hannah Borger Overbeck
Hannah Borger Overbeck was a linchpin of the Overbeck Pottery, a family-run studio that helped define the American Arts and Crafts movement. Born in Cambridge City, Indiana, in 1870, Hannah was one of six Overbeck sisters, several of whom contributed their talents to the pottery. While her sisters focused on design and glazes, Hannah excelled in sculpting figurines and decorative elements, bringing a unique sense of whimsy and character to the Overbeck's distinctive style.
Though the Overbeck Pottery never achieved the commercial success of some of its contemporaries, its artistic impact was profound. The sisters prioritised artistic integrity and hand-craftsmanship above all else, creating pieces that were both beautiful and deeply personal. Hannah's contributions, particularly her charming and often humorous figurines, added a layer of narrative and human connection to the pottery's output. Her pieces often depicted everyday life, capturing the spirit of the early 20th century with warmth and wit.
Today, Overbeck Pottery is highly sought after by collectors, and Hannah Borger Overbeck's sculptures are recognised as some of the most delightful and original expressions of the Arts and Crafts aesthetic. Her work serves as a reminder of the power of small-scale, family-run enterprises to create art that is both beautiful and deeply meaningful.
Though the Overbeck Pottery never achieved the commercial success of some of its contemporaries, its artistic impact was profound. The sisters prioritised artistic integrity and hand-craftsmanship above all else, creating pieces that were both beautiful and deeply personal. Hannah's contributions, particularly her charming and often humorous figurines, added a layer of narrative and human connection to the pottery's output. Her pieces often depicted everyday life, capturing the spirit of the early 20th century with warmth and wit.
Today, Overbeck Pottery is highly sought after by collectors, and Hannah Borger Overbeck's sculptures are recognised as some of the most delightful and original expressions of the Arts and Crafts aesthetic. Her work serves as a reminder of the power of small-scale, family-run enterprises to create art that is both beautiful and deeply meaningful.
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