Collection
Frida Kahlo
Explore curated art prints selected for distinctive homes and considered interiors.
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Portrait of Diego Rivera - Frida KahloPrint · Framed
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Still Life - Frida KahloPrint · Framed
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Self-Portrait (Bust with Purple Shirt) - Frida KahloPrint · Framed
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The Mask - Fine Art PrintPrint · Framed
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Still Life with Pumpkin and Flowers - Fine Art PrintPrint · Framed
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Portrait of Dr. Leo Eloesser - Fine Art PrintPrint · Framed
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Self Portrait - Fine Art PrintPrint · Framed
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Still Life with Dog (Self-Portrait Dedicated to Samuel Fastlicht) - Frida KahloPrint · Framed
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The Love Embrace of the Universe, the Earth (Mexico), Myself, Diego and Señor Xólotl - Frida KahloPrint · Framed
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Still Life with Parrot and Flag - Frida KahloPrint · Framed
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The Dream (The Bed) - Frida KahloPrint · Framed
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Fruits of the Earth - Frida KahloPrint · Framed
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The Deceased Dimas Rosas at Three Years Old - Frida KahloPrint · Framed
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Four Inhabitants of Mexico - Frida KahloPrint · Framed
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Me and My Doll - Frida KahloPrint · Framed
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Portrait of a Woman in White - Frida KahloPrint · Framed
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Self-Portrait (Very Ugly) - Frida KahloPrint · Framed
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Portrait of Alejandro Gómez Arias - Frida KahloPrint · Framed
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Portrait of My Father, Wilhelm Kahlo - Frida KahloPrint · Framed
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Self-Portrait with the Portrait of Doctor Farill - Frida KahloPrint · Framed
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Itzcuintli Dog with Me - Frida KahloPrint · Framed
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Self-Portrait with Small Monkey - Frida KahloPrint · Framed
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Portrait of Cristina, My Sister - Frida KahloPrint · Framed
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Portrait of Alicia Galant - Frida KahloPrint · Framed
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Artist Biography
Frida Kahlo
Kahlo started painting after a bus crash. She was eighteen, on her way home from school in Mexico City, when the bus was hit by a streetcar. A metal handrail pierced her pelvis. Her spinal column was broken in three places. Her collarbone, two ribs, and her right leg were fractured. She spent months in a full body cast, and her mother had a special easel built so she could paint lying down.
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
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