Collection
Alfred Sisley
Explore curated art prints selected for distinctive homes and considered interiors.
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Moret-sur-Loing, Morning - Alfred SisleyPrint
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Provencher's Mill at Moret - Alfred SisleyPrint
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Boats - Alfred SisleyPrint
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Snow at Louveciennes - Alfred SisleyPrint
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A Turn in the Road - Alfred SisleyPrint
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November Afternoon - Alfred SisleyPrint
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The Loing at Moret - Alfred SisleyPrint
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Near the Bank of the Seine at By - Alfred SisleyPrint
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Saint-Mammès - Alfred SisleyPrint
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Children Playing in the Fields - Alfred SisleyPrint
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Riverbank at Veneux - Alfred SisleyPrint
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On the Banks of the Loing - Alfred SisleyPrint · Framed
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Banks of the Seine - Alfred SisleyPrint · Framed
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Apples and Grapes in a Basket - Alfred SisleyPrint · Framed
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A Street in Louveciennes - Alfred SisleyPrint · Framed
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The Banks of the Loing - Alfred SisleyPrint · Framed
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The Roches Courtaut Wood, near By - Alfred SisleyPrint · Framed
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The River Bank or Geese - Alfred SisleyPrint · Framed
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Saint-Mammès, Loing Canal - Alfred SisleyPrint · Framed
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On the Banks of the Loing - Alfred SisleyPrint · Framed · Canvas
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Bords du Loing, près Saint-Mammès - Alfred SisleyPrint · Framed · Canvas
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View of Marly-le-Roi from Coeur-Volant - Alfred SisleyPrint
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The Bridge at Villeneuve-la-Garenne - Alfred SisleyPrint
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Rue Eugène Moussoir at Moret: Winter - Alfred SisleyPrint
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Artist Biography
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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