Collection
Adriaen Van Ostade
Explore curated art prints selected for distinctive homes and considered interiors.
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The Hunchbacked Fiddler - Adriaen van OstadePrint
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Man with His Hand in His Cloak - Adriaen van OstadePrint
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Settling the Debt - Adriaen van OstadePrint
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Man with His Hands behind His Back - Adriaen van OstadePrint
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The Smoker and the Drinker - Adriaen van OstadePrint
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Saying Grace - Adriaen van OstadePrint
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Man in a Pointed Fur Cap - Adriaen van OstadePrint
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The Schoolmaster - Adriaen van OstadePrint
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Man and Woman Conversing - Adriaen van OstadePrint
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The Pater Familias - Adriaen van OstadePrint
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Demanding the Doll - Adriaen van OstadePrint
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The Quacksalver - Adriaen van OstadePrint
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The Painter - Adriaen van OstadePrint
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The Wandering Musicians - Adriaen van OstadePrint
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The Fair - Adriaen van OstadePrint
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The Smoker at the Window - Adriaen van OstadePrint
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The Dance under the Trellis - Adriaen van OstadePrint
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The Couple Walking - Adriaen van OstadePrint
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The Cobbler - Adriaen van OstadePrint
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The Dance in the Inn - Adriaen van OstadePrint
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The Singers - Adriaen van OstadePrint
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Mother with Two Children - Adriaen van OstadePrint
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The Anglers - Adriaen van OstadePrint
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Man with a Crooked Back - Adriaen van OstadePrint
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Artist Biography
Adriaen Van Ostade
In 1672, the Year of Disaster, Van Ostade packed his belongings and tried to flee Haarlem for Lubeck. He got as far as Amsterdam, where the art collector Konstantyn Sennepart talked him into staying. He remained in the city for a time, producing a series of coloured drawings in Sennepart's house, then returned to Haarlem. He had been there his entire life and would stay until the end.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
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