Collection
Adriaen Van Ostade
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Pig Slaughtering in a Peasant Courtyard - Adriaen van OstadePrint · Framed
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Interior of a Tavern - Adriaen van OstadePrint · Framed · Canvas
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Peasant Leaning on his Doorway - Adriaen van OstadePrint · Framed · Canvas
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The Family - Adriaen van OstadePrint · Framed · Canvas
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The Baker Sounding His Horn - Adriaen van OstadePrint · Framed · Canvas
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The Spectacle Seller - Adriaen van OstadePrint · Framed · Canvas
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Mother Holding Her Child in a Doorway - Adriaen van OstadePrint
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Resting Travellers - Adriaen van OstadePrint
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The Breakfast - Adriaen van OstadePrint
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The Two Gossips - Adriaen van OstadePrint
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Smoker Leaning on the Back of a Chair - Adriaen van OstadePrint
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The Players' Quarrel - Adriaen van OstadePrint
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The Baker Sounding His Horn - Adriaen van OstadePrint
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The Spectacle Seller - Adriaen van OstadePrint
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The Spinner - Adriaen van OstadePrint
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The Drinking Bout - Adriaen van OstadePrint
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Slaughtering the Pig - Adriaen van OstadePrint
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Man and Woman Talking - Adriaen van OstadePrint
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Dance in the Tavern - Adriaen van OstadePrint
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The Knifegrinder - Adriaen van OstadePrint
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The Woman Winding upon a Reel - Adriaen van OstadePrint
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The Woman Spinning - Adriaen van OstadePrint
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Bust of a Laughing Peasant - Adriaen van OstadePrint
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Bust of a Woman - Adriaen van OstadePrint
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Artist Biography
Adriaen Van Ostade
In 1672, the Year of Disaster, Van Ostade packed his belongings and tried to flee Haarlem for Lubeck. He got as far as Amsterdam, where the art collector Konstantyn Sennepart talked him into staying. He remained in the city for a time, producing a series of coloured drawings in Sennepart's house, then returned to Haarlem. He had been there his entire life and would stay until the end.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
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