Self-Portrait with Death - Max Pechstein
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A striking Expressionist self-portrait by Max Pechstein, featuring a raw, psychological confrontation with mortality through bold colour and distorted form.
Max Pechstein, a central figure in the German Expressionist movement and a member of Die Brücke, produced this unsettling self-portrait during a period of significant social and personal upheaval. The work presents the artist in a confrontational, direct manner, his face rendered in a stark, unnatural red that separates him from the surrounding figures. Behind him, a skeletal figure of Death looms, its presence both literal and symbolic, reflecting the anxieties prevalent in post-First World War Germany.
The composition is tight and claustrophobic. Pechstein employs the characteristic Expressionist palette of high-contrast, non-naturalistic colours to convey psychological tension. The brushwork is aggressive and visible, rejecting academic polish in favour of raw emotional expression. To the left, a female figure with a cigarette adds a layer of worldly decadence, creating a triangular tension between the artist, the spectre of mortality, and the distractions of modern life. The dark, murky background pushes the figures forward, forcing the viewer to engage with the artist's gaze.
This painting captures the disillusionment and existential questioning that defined much of the art produced in the Weimar Republic. Pechstein uses the memento mori motif not as a traditional religious warning, but as a personal reflection on the fragility of life following the trauma of global conflict. The distortion of facial features and the heavy, dark outlines are typical of his mature style, which sought to communicate internal states rather than objective reality. By placing himself in such close proximity to the personification of death, Pechstein invites an examination of the artist's role in a society grappling with its own mortality and moral decay.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Self-Portrait with Death - Max Pechstein
Artist Biography
Max Pechstein
He was born in Zwickau in 1881 and apprenticed as a decorator from 1896 to 1900 before studying at the Dresden art school. Erich Heckel invited him to join Die Brucke in 1906. Contact with Matisse pushed his palette toward jarring, unmixed colour, but his compositions retained a warmth and legibility that made them easier to sell than the work of his peers.
At the outbreak of the First World War he was interned in Japan and returned to Germany via Shanghai, Manila and New York. He saw action at the Somme and suffered a nervous breakdown. In 1918 he co-founded the Novembergruppe, a left-wing artists' group that demanded artist involvement in postwar social policy.
The Nazis classified his work as degenerate. Over three hundred paintings were seized from German museums. He was banned from exhibiting and dismissed from the Prussian Academy. He produced 421 lithographs, 315 woodcuts and linocuts, and 165 etchings over his career, making him one of the most prolific printmakers of the Expressionist generation. After the war he was rehabilitated, given a professorship in Berlin and elected to the Academy of Arts. He died in Berlin in 1955, at seventy-three.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar