Laid Table with View of Saint-Paul de Vence - Marc Chagall
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A dreamlike composition by Marc Chagall, featuring a table set against the backdrop of the French village Saint-Paul de Vence.
This work captures the atmosphere of the French Riviera, a region where Marc Chagall settled during his later years. The composition merges a domestic interior with the exterior surroundings of Saint-Paul de Vence. In the foreground, a table covered in a red and white chequered cloth holds simple items: a plate of fruit, a bottle, and a glass. These objects are rendered with loose, expressive brushwork that prioritises emotional resonance over strict realism.
Above the table, the scene transitions into the dreamlike imagery characteristic of Chagall. A large, fantastical bird-like creature dominates the upper left, carrying two figures in its plumage. This motif reflects the artist's recurring interest in themes of love, memory, and folklore. The background features the hilltop village of Saint-Paul de Vence, bathed in deep blues and purples that suggest the transition from day to evening. The contrast between the warm, saturated reds of the table and the cool, nocturnal tones of the village creates a visual tension.
Chagall uses colour to define space and mood rather than to replicate natural light. The application of paint is layered and textured, showing the artist's focus on the physical surface of the canvas. By combining the mundane act of dining with floating figures and a distant town, the painting invites the viewer into a personal narrative. It is a representation of the artist's life in the south of France, where the Mediterranean light and the local architecture became integrated into his visual vocabulary. The work avoids rigid perspective, allowing the elements to coexist in a flattened, poetic arrangement that is typical of his later period.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Laid Table with View of Saint-Paul de Vence - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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