Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
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A satirical etching from 1620 by Claes Jansz. Visscher (II) commenting on the religious and political controversies of the Dutch Golden Age.
This etching by Claes Jansz. Visscher (II) functions as a piece of political and religious satire from the Dutch Golden Age. Produced in 1620, the work addresses the theological conflicts surrounding the Remonstrants, or Arminians, during the Twelve Years' Truce. The composition is divided into two distinct sections: a complex visual scene at the top and a substantial block of printed text below.
The upper portion depicts a crowded, allegorical scene featuring figures in contemporary dress, including clergy and commoners. The central action involves the placement of a hood, or 'kaproen', upon a figure identified as Petrus Bertius. This act serves as a visual metaphor for the perceived apostasy or theological deviation of the Arminians. The scene is populated with various symbolic elements, including books, tools, and architectural details that provide context for the specific religious debates of the period. The figures are rendered with precise, descriptive lines characteristic of Visscher's printmaking style.
The lower portion contains a dialogue, or 'samen-spraeck', between three characters named Koomen, Joost, and Kees. This text provides a narrative framework for the visual imagery, detailing the perceived errors of Bertius and the broader implications of the Arminian controversy. The inclusion of such extensive text indicates that the print was intended for a literate audience capable of engaging with both the visual symbolism and the theological arguments presented.
As a historical document, this print captures the intensity of the religious divisions that shaped the early seventeenth-century Netherlands. Visscher, a prolific publisher and engraver, utilised the medium of the print to disseminate political commentary to a wide public. The work remains a primary source for understanding the intersection of art, religion, and public discourse in the Dutch Republic.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
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Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
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Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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