Going to Work - Jean-François Millet
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A classic Realist painting by Jean-François Millet, depicting a peasant couple walking to the fields at dawn.
Jean-François Millet, a central figure of the Barbizon School, produced this work during his period of residence in the village of Barbizon. The painting depicts a peasant couple walking across the fields at the start of their day. The man carries a pitchfork over his shoulder, while the woman walks beside him, her head covered by a bonnet. Their figures are rendered with a sense of gravity, reflecting the physical demands of rural labour.
Millet utilised a muted palette of earth tones, ochres, and deep greens to ground the subjects within their environment. The light suggests the early morning, casting long shadows across the path. The composition is straightforward, focusing on the rhythmic movement of the two figures as they traverse the open ground. Unlike the idealised depictions of rural life common in earlier academic art, this piece presents the subjects with a directness that characterises the Realist movement. The textures of their clothing and the tools they carry are painted with a focus on material reality rather than decorative finish.
This work is part of a series of paintings by Millet that examine the daily lives of agricultural workers. By choosing to depict the peasantry as the primary subject, Millet shifted the focus of contemporary art toward the social realities of the French countryside. The figures appear monumental despite their humble status, a quality that became a hallmark of his approach to genre painting. The painting remains a clear example of his ability to capture the quiet, repetitive nature of manual work through careful observation and a restrained application of paint.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
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Características específicas
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- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Going to Work - Jean-François Millet
Artist Biography
Jean Francois Millet
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
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