Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
George Brydges Rodney, Admiral of the White - Thomas Gainsborough
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A portrait of Admiral George Brydges Rodney by Thomas Gainsborough, capturing the naval commander with fluid brushwork and atmospheric detail.
Thomas Gainsborough painted this portrait of Admiral George Brydges Rodney around 1782, following the naval commander's success at the Battle of the Saintes. The work displays the characteristic fluid brushwork that defined Gainsborough's later career, moving away from the rigid formality often associated with eighteenth-century naval portraiture.
Rodney stands in a three-quarter pose, his right arm extended as if directing naval manoeuvres. He wears the uniform of an Admiral of the White, complete with the sash and star of the Order of the Bath. The background incorporates elements of a ship's deck, including rigging and a large sail bearing the fleur-de-lis, which serves as a reference to the French vessels captured during his campaigns. The sky behind him is turbulent, suggesting the atmospheric conditions of a maritime engagement.
Gainsborough employs a palette dominated by cool blues, soft whites, and muted earth tones, allowing the red sash to provide a necessary visual anchor. The light falls across the subject's face and waistcoat, drawing the viewer's attention to the Admiral's expression of calm authority. Unlike many contemporary portraits that rely on heavy, static poses, this composition possesses a sense of movement. The fabric of the sail and the billowing clouds are rendered with loose, feathery strokes, a technique that Gainsborough refined throughout his time in Bath and London.
This portrait captures the intersection of military achievement and the social status of the British naval elite during the late Georgian period. It remains a representative example of how Gainsborough balanced the requirements of formal portraiture with his own interest in painterly texture and atmospheric effects. The work is currently held in the collection of the Royal Collection Trust, reflecting its historical association with the British monarchy and the naval history of the era.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
George Brydges Rodney, Admiral of the White - Thomas Gainsborough
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Thomas Gainsborough
Gainsborough composed landscape scenes by building tabletop models from broccoli and cauliflower for trees, lumps of coal for hills, and mirrors for water. He painted from these arrangements in his studio. He said he was sick of portraits and wished he could walk off with his viol-da-gamba to paint landscapes. Portraits paid the bills. Landscapes were what he loved.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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