Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
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A powerful woodcut by Hans Baldung Grien depicting the Crucifixion with expressive figures and traditional memento mori symbols.
This woodcut by Hans Baldung Grien depicts the Crucifixion with the characteristic intensity of the Northern Renaissance. Baldung, a pupil of Albrecht Dürer, developed a distinct style that often incorporated expressive, sometimes angular, figures and a sense of dramatic tension. In this composition, Christ occupies the centre, flanked by the sun and moon, which symbolise the cosmic significance of the event. Below, the figures of the Virgin Mary and Saint John the Evangelist are rendered with heavy, flowing drapery that defines their grief through posture and gesture.
The artist employs a bold, graphic approach to line work. The cross itself is stark, and the surrounding terrain includes a skull and bone at the base, traditional memento mori symbols that ground the scene in the reality of death. A small, fortified town appears in the distance, providing a sense of place while maintaining the symbolic nature of the narrative. Baldung uses hatching to create depth and shadow, particularly within the folds of the garments and the musculature of the central figure.
As a printmaker, Baldung was known for his ability to translate complex theological themes into accessible, yet visually demanding, imagery. His work often reflects the transition from the late medieval period to the Reformation, where religious iconography became a subject for personal reflection. The composition is balanced, yet the individual figures possess a raw, emotional quality that distinguishes Baldung from his contemporaries. This print offers a clear view of the technical proficiency required for woodcut production in the early sixteenth century, where every line was carved with precision to ensure clarity in the final impression. The stark contrast between the black ink and the paper surface emphasises the gravity of the subject matter, making it a representative example of German printmaking from this era.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
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Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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