Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Cardinal Mazarin Dying - Paul Delaroche
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A detailed historical painting by Paul Delaroche depicting the final moments of Cardinal Mazarin amidst the indifferent activity of the French court.
Paul Delaroche, a leading figure of the French Academic school, produced this work in 1830. It depicts the final moments of Cardinal Mazarin, the influential statesman who served under Louis XIV. The scene is set within a lavishly appointed bedchamber, where the dying Cardinal lies in his bed, surrounded by members of the court. Delaroche focuses on the contrast between the private reality of death and the ongoing public life of the aristocracy. While the Cardinal is attended to in the background, courtiers continue their social interactions and card games in the foreground, suggesting the indifference of the political sphere to the passing of its leaders.
The composition is structured to draw the eye across the room, from the sombre, dimly lit bed to the brightly illuminated figures standing near the centre. Delaroche employs a precise, polished technique characteristic of his training, ensuring that the textures of the heavy velvet curtains, the ornate ceiling, and the elaborate silk garments of the courtiers are rendered with clarity. The colour palette is dominated by deep reds and golds, which evoke the opulence of the seventeenth-century French court while simultaneously creating a sense of claustrophobia and impending finality.
Delaroche was known for his ability to humanise historical subjects, often choosing moments of personal vulnerability rather than grand military victories. In this painting, the narrative is conveyed through gesture and expression rather than overt action. The figures are arranged in a theatrical manner, reflecting the artist's interest in the intersection of history and drama. The work remains a clear example of the nineteenth-century fascination with historical accuracy and the psychological weight of past events, presented through a lens of meticulous observation and technical control.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
Cardinal Mazarin Dying - Paul Delaroche
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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